New young designer blog

January 30, 2013 in blogging, Blogroll, General Media

Via the CMA Listserv, Chris Lusk, a designer at the Orange County Register and formerly of the Oklahoma Daily, has started a design blog, News by Design, on his own web site. It’s more print-centered than I normally read, but worth checking out if ink and font styles run through your blood. His latest post is about making opinions palatable through design, something people might not think about often. He also has some gorgeous examples of news design from South America. I’m adding the site to the blogroll over on the right, as well.

College Media Podcast 1-28-13: UVA goes “digital first” and Vine

January 29, 2013 in College Media Podcast

Show Notes:

Virginia’s Cavalier Daily Going Digital-First: ‘Riding the Wave of Contemporary Journalism’ (College Media Matters)

Tool Tip

Vine (web page to launch app store)

My first Vine: Fear of a podcast planet

Six reasons why Vine is a killer news tool (Pando Daily)

You can listen to the podcast above, or download an mp3 or listen to previous episodes on the podcast show page.

Cavalier Daily cuts back print, going digital first

January 28, 2013 in College Media News

Via College Media Matters, the announcement that the Cavalier Daily at the University of Virginia is going “digital first,” and cutting its four-day print publication to two days a week.

CHARLOTTESVILLE – The Cavalier Daily, the University of Virginia’s independent student newspaper, announced Friday a comprehensive plan to shift focus from the traditional daily newspaper to a digital-first newsroom. Starting in August 2013 the organization will replace its daily newspaper with a revamped biweekly newsmagazine and expand online and mobile content offerings.

The newsmagazines will hit stands twice a week – Monday and Thursday – and offer extensive analysis, informative graphics and an increased focus on features, local entertainment and weekend previews.

This is only the latest in a string of shift among college newspapers away from the daily print product.

The last time I was interviewed about these types of changes, I was careful to point out that it wasn’t a “trend,” as only a couple of large-circulation papers (the Red & Black at Georgia and Oregon State at the time) had done so. Now, with UVA and a possible online-only move by the American University Eagle, I think “trend” is a useful term.

ASU and UVA won’t be implementing their “digital first” initiatives until the fall, so it will be interesting to watch what happens when they do. One thing that’s important to remember is that shifting platforms doesn’t decrease the amount of news that needs to be covered. If you’re going to do more with both print and online, you’re going to need to invest in more resources, specifically people.

LiveBlogPro Test blog

January 23, 2013 in blogging, innovation, online software, software, Tech Talk

In this week’s podcast, I mentioned a new liveblogging platform that just released to public beta – LiveBlogPro. Here I’m experimenting with the platform, and will discuss some of its features and limitations in the liveblog below.

 

(Updated) College Media Podcast 1-21-13: FAMU and LiveBlogPro

January 22, 2013 in College Media Podcast

Show Notes:

‘No Paper, No Problem’: An Interview with Former (& Future) Famuan Editor Karl Etters (College Media Matters)

Florida A&M student paper’s publication suspended, adviser removed (SPLC)

Tool Tip

UPDATE: Please read the comment below from Katy at Scribblelive.

LiveBlog Pro (Beta)

Liveblog Pro launches in public beta, promising to make liveblogging a breeze for journalists (The Next Web)

You can listen to the podcast above, or download an mp3 or listen to previous episodes on the podcast show page.

College Media Podcast 1-14-13: Hazelwood and Marksta

January 14, 2013 in College Media Podcast

Show Notes

This week, we discuss the implications of the infamous Hazelwood decision on college media and student journalists.

Tool Tip

Marksta, an iPhone app (coming soon to Android) to watermark photographs.

Marksta App (iTunes)

Marksta App – fighting for photography copyright (Guardian UK)

You can also download an mp3 to listen on the go. Questions, comments or suggestions are welcome.

College Media Podcast: 2012 Wrap-up

December 21, 2012 in College Media Podcast

This week we take a look at some of the big stories of the year in college media. Here are links to some past coverage of those topics:

1. Red & Black Controversy

Dan’s Open Letter re: the R&B situation
SPLC reporting on the controversy (site search results)

2. Digital First

State Press at ASU Going Digital-First, Shifting From Daily to Weekly Print Paper (College Media Matters)

3. Tech Trends

Hosting options for college media, the (updated) 2012 edition (ICM)

4. Athletics/Administration and Social Media

Kansan Football Reporter Warned About Asking Questions at Press Conference with Head Coach (College Media Matters)

Kansas Football Coach Tweets Angrily About Daily Kansan Coverage of Team (College Media Matters)

Be Careful Student Sports Reporters, Your School May Have an In-Game Tweet Limit (College Media Matters)

NCAA attempts to hold back new media tide (Innovation in College Media, 2007) and more previous coverage

President’s Memo To Staff

Harvard Crimson Ends Policy Allowing School Officials to Review Quotes Prior to Publication

Daily Kent Stater’s Doug Brown Reveals Administrative Cover-Up in $1 Million Donor Investigation

5. April Fool’s Day

Daily Free Press editor-in-chief fired from paper

The College Media Podcast is available to stream here, or download an mp3 at this link. We’ll be back in 2013 with more news from the college journalism universe.

(Updated) Instagram’s new terms of service should trouble media outlets, photojournalists

December 18, 2012 in General Media, social media

UPDATE (5 pm CST 12-18-12): Instagram has posted a blog post declaring that they are going to be revising the revised TOS. “Our intention in updating the terms was to communicate that we’d like to experiment with innovative advertising that feels appropriate on Instagram. Instead it was interpreted by many that we were going to sell your photos to others without any compensation. This is not true and it is our mistake that this language is confusing. To be clear: it is not our intention to sell your photos. We are working on updated language in the terms to make sure this is clear.”


Yesterday, Instagram announced some new terms of service, and the social media/journalism commentariat is abuzz with some of the changes. Among the changes that should trouble student media outlets is this one which has professional photographers and privacy rights activists alike worried:

“You agree that a business or other entity may pay us to display your username, likeness, photos (along with any associated metadata), and/or actions you take, in connection with paid or sponsored content or promotions, without any compensation to you,”

This even applies to minors:

If you are under the age of eighteen (18), or under any other applicable age of majority, you represent that at least one of your parents or legal guardians has also agreed to this provision (and the use of your name, likeness, username, and/or photos (along with any associated metadata)) on your behalf.

Seriously, every 14-year-old’s parents reads the TOS on every app on his/her iPod Touch. /eyeroll.

I am not a lawyer, but I don’t think anyone should be comfortable with signing over a blanket personal model release to a company to sell your image or personal photographs. Wil Wheaton outlined some of the troubling aspects of this in a blog post: regarding instagram’s new Terms of Service.

Here’s what I’m wondering: if Kaley Cuoco uses Instagram to share a photo of her and Melissa Rauch doing something silly, does that mean that Instagram can take that photo and use it to advertise for something silly without compensating them for what becomes a use of their likeness for commercial purposes? I can see that being a pretty serious shitstorm if it happens. I’m not a big enough celebrity for it to personally affect me, but I know a lot of people who are. If someone Instagrams a photo of Seth Green walking through an Urban Outfitters, does that mean Urban Outfitters can take that image and use it to create an implied endorsement by Seth? What if the picture is taken by a complete stranger? Who gets final say in how the image is used? The subject, the photographer, or Instagram?

For college media outlets, the problem is different. Your photographers are out covering events, taking photographs that are important to your news operation and your brand. Do you want some company using your photographs without permission or payment to promote their products? I don’t.

In the past, I’ve recommended that college media outlets get on the social network of Instagram to share breaking news photos and other images within the network (I’ve recommended similar things about Twitter, YouTube, Facebook, etc.), but I’m reconsidering that recommendation until more and better information about this change is forthcoming.

I’m not sure how this will play out. Facebook (who owns Instagram) has a history of trying stupid stuff with their privacy policies only to walk them back when users pushed back. Maybe that will be the case with Instagram as well. For now, the new TOS go into effect Jan. 16, 2013. If you use the service after that, you’re agreeing to those terms.

For those who are concerned about this, here’s a post at Wired about how to download your photos from Instagram and cancel your account. Also, I’d suggest taking another look at Flickr. They just released a new iOS app with filters that are pretty comparable to Instagram’s, and more importantly, they give you a way to control how your content is used. Here’s a post from 2011 where the company (owned by Yahoo!) reiterated their policy: At Flickr, your photos are always yours.

See below for some of the media coverage of this change.

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Spinning songs and sharing music, digitally with Spotify

December 17, 2012 in College Media, ideas, innovation, online software, social media

Editor’s Note: We are happy to welcome Allison Bennett Dyche, Assistant Director of Student Media at the Savannah College of Art and Design (SCAD) in Savannah, Ga., as a new contributor to the blog.

If you’re still waiting for new CDs to arrive via postal mail, either for use at your radio station or to review for your newspaper or magazine’s A&E section, it’s time to get with the program.

Spotify came to the United States during the summer of 2011. If you’ve never heard of it before, or aren’t sure how to make best use of it, now’s the time to check it out.

You may remember the wonder of Napster when it first debuted in the late 1990s (and the following depression when old Napster officially went under in the early 2000s). Apple’s iTunes, launched in the early 2000s, has been the go-to for years now, allowing users to input their own existing music libraries and purchase new music, one song or album at a time.

Enter European digital streaming music service Spotify. The application allows users to input their own libraries of music, and also listen to a massive catalogue of music (reportedly more than 20 million songs) available at their fingertips. The biggest differences between iTunes and Spotify are the cost and the social media aspect. Spotify is available for free (with commercials) or for a small monthly subscription fee (with no commercials and availability on additional platforms, rather than paying by song or album).

And unlike Pandora, rather than just typing in the name of a couple of artists that you like and letting the site’s Music Genome Project algorithm handle the rest, you can build your own playlists, and share them with your social networks and the Spotify community. Making your playlists public will also allow for others to subscribe to your playlists, allowing you to share your music tastes with friends and strangers alike. But Spotify also offers an algorithm-based music suggestion feed through Spotify Radio. Listeners can choose a song they enjoy, and the application will choose and play similar music and artists.

For college radio station DJs, having a paid subscription to Spotify is a good way to not only build playlists for shows without having to fumble with CDs and vinyl, but also to be able to share it with the audience after the show is over. Sharing playlists on social media allows for a broader listening base to get a taste of the music played on your station during your shows, and allows those from outside your listening area to also support your station.

New albums and singles are available under the New Releases section under the “What’s New” tab, so your student media operation can start playing or reviewing new music it as soon as it drops.

Barack Obama's campaign playlist

• CBS This Morning songs from the shows

• Victoria’s Secret store playlist

• Snoop Dogg’s mixtape

So how can your student media operation get started with Spotify? Start off easy by building some playlists.

• Create playlists documenting their top songs of 2012, their top songs of fall semester, etc.

• Create playlists that include a sampling of the kind of music listeners can hear on your college radio station.

• With students traveling home, create an ultimate road trip mix, or have students put together a playlist of songs representing the cities/states where they’ll spend their breaks.

• Create an anti-holiday music playlist for when you just cannot take another rendition of “Rudolph the Red-Nosed Reindeer.”

Some playlists related to college:

The Daily Emerald at the University of Oregon started building and sharing weekly playlists on their site during fall semester.

Seventeen magazine shared an ultimate list of music to cram for college finals.

With more than 20 million songs at your fingertips and the ability to create and share as many playlists as you want, there are endless possibilities for how to incorporate Spotify into student media.

Stay tuned for a follow-up post in 2013 about new features Spotify is launching, and examples of how national and international media outlets are using Spotify apps.

Allison Bennett Dyche is the Assistant Director of Student Media at the Savannah College of Art and Design (SCAD) in Savannah, Ga. She advises the online news organization District, the literary arts journal Port City Review and the SCAD chapter of the Society for Collegiate Journalists, and DJs a weekly show on SCAD Radio.

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College Media Podcast 12-10-12: Sporting event social media policies and Tapestry

December 10, 2012 in College Media Podcast

Show Notes

Issue: College Athletics and Social Media

Be Careful Student Sports Reporters, Your School May Have an In-Game Tweet Limit (College Media Matters)

NCAA attempts to hold back new media tide (Innovation in College Media, 2007) and more previous coverage

Tool Tip

Tapestry (website) and iTunes link

Listen via the embed above, or download an mp3 at the show page on libsyn.